At the core of the human experience is a desire to understand—to understand the limits, the complexities, and the seeming contradictions of the world we inhabit. The finite and limited nature of our time-bound bodies forces us to reconcile an inconvenient reality: namely, that there is a limit to what can be known.
At the Edge of All We Know is an invitation to curiosity, wonder, and imagination in the liminal space just beyond the security of fact and law. Simultaneously, ideas of limits, complexity, and obfuscation are built the objects and artworks in the space and ask to be reconciled with both logos and pathos.
The work within the exhibition is conversational—each work providing both contradistinction and concurrence with the work around it. Allow yourself space to consider, space to question, and space to enjoy the posture of knowing that you can’t possibly know everything.
At the core of the human experience is a desire to understand—to understand the limits, the complexities, and the seeming contradictions of the world we inhabit. The finite and limited nature of our time-bound bodies forces us to reconcile an inconvenient reality: namely, that there is a limit to what can be known.
At the Edge of All We Know is an invitation to curiosity, wonder, and imagination in the liminal space just beyond the security of fact and law. Simultaneously, ideas of limits, complexity, and obfuscation are built the objects and artworks in the space and ask to be reconciled with both logos and pathos.
The work within the exhibition is conversational—each work providing both contradistinction and concurrence with the work around it. Allow yourself space to consider, space to question, and space to enjoy the posture of knowing that you can’t possibly know everything.
